All Performances

Lady Lamb w/ Katie Von Schleicher (SOLD OUT)

Lady Lamb

Lady Lamb
w/ Katie Von Schleicher
Friday, November 9th
Doors 7pm / Show 8pm
Standing / All ages
Members $14 / $16 ADV / $18 DOS 



To many, Lady Lamb the Beekeeper (aka Aly Spaltro) is an enigma. Her songs are at once intimate and unbridled- both deeply personal and existentially contemplative. Spaltro is a fearless performer who can command a pitch-black stage with nothing more than her voice. Yet, when the band bursts in and the lights come up, what began as a demonstration of restraint shifts seamlessly into an emphatic snarl.


It was in Spaltro's home state of Maine that she first found her voice among thousands of films in the independent rental store where she worked the closing shift. After hours, Spaltro would create songs completely uninhibited by musical conventions, learning to play and sing as she hit record. A handful of these songs were carefully curated and fully arranged for her debut studio album, Ripely Pine (Ba Da Bing! Records). 

"Lady Lamb. Singer, songwriter out of Maine and Brooklyn. Now she tours the world. A kind of indie mystic visionary. An ecstatic seer. A new psalmist. Her [latest] album is "Tender Warriors Club." She’s singing that we need to be tender – with ourselves and others – to be truly strong."  — Tom Ashbrook, WBUR

 

 

Katie Von Schleicher rose from intern to artist on Brooklyn label Ba Da Bing with Bleaksploitation, a self-recorded 2015 mini album of irreverent, fuzz-laden tunes. On her debut full-length, Von Schleicher strikes again on the magic that comes from her warped and uncompromising sound. Shitty Hits channels the bright, sunny radio burners of the 1970’s, songs you drive to, carefree, and songs you can cry to, which The Guardian describe as “Portishead meets the Beatles,” and NPR’s Bob Boilen calls “one of those constant repeat records for me.”

 

Conjuring the home recorded sound of Paul McCartney’s McCartney or Jeff Buckley’s Sketches For My Sweetheart The Drunk, Shitty Hits was created on a tape machine at Von Schleicher’s childhood home in Maryland. Where Bleaksploitation courted a kind of sonic nihilism, Shitty Hits shows confidence, growth and unflinching self-realization. Inhabiting the roles of producer and engineer, Von Schleicher cements her voice as one to be reckoned with, parsed and pored over, on an album that is “never less than beguiling” (Pitchfork).

 



 


 



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