The Lemonheads: Love Chant World Tour w/ Erin Rae
November 23, 2025
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The Lemonheads
Love Chant World Tour
w/ Erin Rae
Sunday, November 23
Doors 6pm / Show 7pm
$31 Members / $35 General Admission Advance / $40 GA Day of Show
All ages / Standing
The Lemonheads return in 2025 with Love Chant (out via Fire Records, October 24th), their first studio album in nearly two decades - a bold, melodic reaffirmation of Evan Dando’s singular songwriting voice. Written across continents and recorded primarily in São Paulo, Brazil, where Dando now resides, Love Chant finds the frontman reconnecting with longtime collaborators while introducing new creative voices. It’s a record of fresh starts and familiar sounds - emotionally raw, melodically rich, and unmistakably Lemonheads.
The new album features contributions from J Mascis (Dinosaur Jr), Juliana Hatfield, Tom Morgan, Bryce Goggin, Erin Rae, and Nick Saloman of The Bevis Frond. It’s a diverse but coherent work - from the full-throttle hooks of “Deep End” to the spectral softness of “The Key Of Victory,” and the Modern Lovers-like drive of the title track. Co-released alongside Dando’s forthcoming memoir Rumours Of My Demise (via Faber, November 6th), Love Chant marks both a return and a reckoning - the sound of an artist who’s lived, lost, and located the thread once again.
Formed in Boston in 1986, The Lemonheads have long thrived on that intersection between chaos and charm. With a revolving cast built around Dando’s melodic instincts and ragged charisma, their early punk roots were forged across three scrappy albums on local label Taang! before signing to Atlantic Records and releasing 1990’s Lovey. It was on tour for that record in Australia where Dando connected with Tom Morgan and future bandmate Nic Dalton - a meeting that reshaped the band’s songwriting and sound.
Their commercial breakthrough came with 1992’s It’s A Shame About Ray and 1993’s Come On Feel The Lemonheads, both records that married punk energy with melodic pop, and established Dando as one of alternative rock’s most compelling figures. National TV appearances followed, and so did the tabloid glare - by the late ’90s, the music sometimes took a backseat to Dando’s unpredictable, chaotic public persona. He disbanded The Lemonheads in 1997 following a turbulent performance at Reading Festival.
In 2003, he released his acclaimed solo album Baby I’m Bored - quieter and more introspective, it hinted at a new phase. But it wasn’t long before The Lemonheads were reborn. In 2006, a self-titled album marked a head-on collision of wordy ’70s punk and cosmic country, followed by Varshons (2009) and Varshons 2 (2019), two mixtape-like collections of cover versions that spanned Townes Van Zandt to GG Allin, Leonard Cohen to The Bevis Frond - always with the same emotional clarity and melodic magnetism that defines Dando’s output.
Over the years, The Lemonheads’ shape has shifted - Descendents, Dinosaur Jr, Blake Babies and members of Fuzzy have all passed through the ranks - but at its core has always been Dando’s songwriting: wry, vulnerable, catchy, and true. With Love Chant, that core burns brightly once more.
Recent years have only deepened the band’s influence. Artists like Courtney Barnett, Waxahatchee, Phoebe Bridgers and MJ Lenderman cite The Lemonheads as touchstones, covering their songs and praising their emotional candor and melodic economy.
As Record Collector noted, “The Lemonheads have always been recognised as purveyors of grade-A pop punk.” Or, in Rolling Stone’s words: “Few bands have been able to walk the line between the angst of grunge and the warmth of folk quite as elegantly as The Lemonheads.”
About Erin Rae:
Three years after the release of her critically acclaimed debut, Putting On Airs, Nashville-raised singer-songwriter Erin Rae shares an intimate, honest, and playful version of herself through her sophomore album Lighten Up. Produced by Jonathan Wilson, and recorded in the musically hallowed grounds of California’s Topanga Canyon, the album represents a sonic and inner shift for Rae. In it, she embraces more of her influences, like baroque-pop, cosmic country, and indie-folk songs while mirroring a more compassionate self-view she calls “accepting my humanness”.
Although she grew up in a musically oriented family, Rae’s pursuit of music happened by accident. After being gifted a Martin acoustic guitar on her 18th birthday, Rae decided to drop out of college after just one semester. Her goal at the time had little to do with making music into a career, and everything to do with spending more time and energy with the community of musicians and writers she knew back home. Looking back on those days, she recalls the initial high of playing live at an open mic during winter break and realizing, “this is how I connect with people. I have to pursue this.”
Rae has continued to connect with people through her music ever since, performing at mainstays like Newport Folk Festival, Red Rocks Amphitheater, and sharing stages with Father John Misty, Hiss Golden Messenger, Jenny Lewis, Jason Isbell, and Iron & Wine. The success of Putting On Airs also earned her a nomination for Emerging Act of The Year at the 2019 Americana Music Awards alongside other trailblazing artists like Yola, Jade Bird, and J.S. Ondara. When the Covid-19 pandemic called a halt to touring, Rae took advantage of the opportunity to revel in a wide range of musical influences she had absorbed since the making of Putting On Airs, sitting in an un-rushed space while deciding which direction she wanted to take her music next.
Though Rae says the core of her work will always stem from the songwriting she was raised on, the making of Putting On Airs with collaborators Jerry Bernhardt, Dan Knobler, and Dominic Billett inspired her to deepen her music exploration outside the traditional Americana box and listen to records in a broader way. “It opened up a sonic world to me that I had always enjoyed, but that felt mysterious. The process of making my last record allowed me to visualize how recorded sounds come to be, so returning to recordings of beloved artists like Feist, Judee Sill, Wilco, became exciting all over again. I could suddenly imagine what was happening in the room to create what I was hearing on the recording.” This newfound excitement led Rae down many rabbit holes, particularly a deep-dive into English psych-folk artists like Kevin Ayers and Pete Dello And Friends, as well as songwriters like Gene Clark, Scott Walker, and Jesse Winchester.
That expansive discovery of musicality led her to connect with Wilson, known for his work with artists like Father John Misty, Jenny O., and Roger Waters. Their shared love for the cinematic pop of the Walker Brothers, Bobbie Gentry, and the folk stylings of Margo Guryan created a solid foundation to create together, so Rae flew to Wilson's Five Star Studios in February 2021. Wilson called on musicians Jake Blanton (Bedouine, The Killers) and Drew Erickson (Weyesblood, Father John Misty) to contribute bass, keys, and string arrangements, and played drums and lead guitars himself. Erin invited friends Kevin Morby and Meg Duffy of Hand Habits to contribute, and Wilson's longtime friend Ny Oh to sing some of the background vocals. The result is a fresh, authentic, and singular collection of recordings that are clearly rooted in a classic "canyon" sound.
Lighten Up also showcases a new level of personal growth for Rae, and invites listeners to share in the results of her work towards self-acceptance. “My last record was a lot of self-assessment and criticism, and trying to kick old habits and ways of relating to people,” Rae acknowledges. “This one is about blossoming, opening up, and living a little more in the present moment. Accepting what it is to be human.”
In the lead single, “Modern Woman” Rae celebrates womanhood and femininity in all of its forms, countering outdated beliefs over driving drums and rocking guitars and inviting an inclusive perspective through her cheeky lyrics “come see a modern woman.” With “Lighten Up and Try” a song that embodies the album’s title, as well as its ethos, Rae dwells on the process of opening up to love and to life, and the vulnerability that comes with that process. Expounding on the song’s meaning, Rae shares, “This song for me just feels like celebrating the vulnerability of living. Saying yeah, ‘No one really knows what they’re doing. You just have to try.’”
In the measured track, “Mind - Heart” Rae outlines the dangers of codependency, and through the straightforward lyrics, “the mind is fucked but the heart is pure,” she meditates on the unreliability of thoughts. “Both of my parents have practiced meditation throughout my life following different traditions. This song for me is essentially using mindfulness to detach from habitual patterns of thought and behavior, and reconnecting to the heart, the intuition.” In “True Love’s Face” she opens to the potential of love and the choice to not flee from it over retro melodies, affirming through her bell-like vocals, “I will know it when I see it / I will not turn it away.” And in the psychedelic “Candy + Curry” Rae balances awakening and being centered in the present moment, with a soundscape that invites the listener to relax and enjoy the ride.
With Lighten Up, Rae hopes to give listeners the opportunity to borrow what she’s learned, that there can be a lightness when things feel heavy and that even our darkest corners can allow us to shine. “I hope this record encourages people to be a little softer towards themselves.” Rae shares. “If [Lighten Up] gives people listening the space to feel more tender towards themselves and move in the world from that place, that would be the dream for me.”
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3S Artspace is supported in part by grants from the New Hampshire State Council on the Arts and the National Endowment for the Arts; the New Hampshire Charitable Foundation and NHCF's Geoffrey E. Clark and Martha Fuller Clark Fund; and Little Bay Fund.
Thank you to our lead sponsors: AC Hotel Portsmouth, The Brook, The Kane Company/Tidemark, Katzman Contemporary Projects, MacEdge, Raka, Sheraton Portsmouth Harborside Hotel.